Lowell Fiet & Sargasso

(Side arrows for English / Flèches latérales pour le Français)

Lowell Fiet, fundador de la revista Sargasso 

Las algas Sargazo han sido catalogadas como una terrible amenaza para el turismo en el Caribe. Por estar tan presentes y ser tan incontrolables, han sido comparadas con la pandemia del covid-19 que permanece hasta ahora [1]. No obstante, en sus circunstancias atemporales, el “mar de sargazos” [2] son los frutos que recorren el mar Atlántico nutriéndose de las vertientes que recorren y desembocan desde el sur de América y desde el norte de África. Son la evidencia histórica y natural de la unidad.

Lowell Fiet, fundador de la revista Sargasso [3], catedrático jubilado, desde Puerto Rico, en Vieques, lugar que en taino significa tierra pequeña, pero que tiene en su historia victorias pacificas contra la más grande maquinaria bélica del siglo XX e inicios del XXI, nos enseña parte de su experiencia en el ámbito del taller teatro mascaras en el ensayo titulado “¿Taller o teatro?: ¿quién es el actor? y ¿quién el espectador?” (2021) que escribió en la convocatoria para el plan de publicaciones de Canales Abiertos el presente año pandémico.

Mientras que en algunas partes paradisiacas del Caribe se intenta limpiar y dar soluciones contra los factores que favorecen el crecimiento del sargazo como los son la luz solar, el paso del tiempo, las 20 millones de toneladas del alga en medio del atlántico; aquí, adjuntamos el ensayo de Lowell Fiet para fortalecer la unidad y el conocimiento de los miembros de Canales Abiertos.

(Flechas del costado para Español / Flèches latérales pour le Français)

Lowell Fiet, founder of Sargasso magazine

Sargasso algae have been listed as a terrible threat to tourism in the Caribbean. Because they are so present and so uncontrollable, they have been compared to the covid-19 pandemic that remains until now [1]. However, in its timeless circumstances, the “sea of ​​sargassum” [2] are the fruits that run through the Atlantic Sea, feeding on the slopes that run through and flow from South America and North Africa. They are the historical and natural evidence of unity.

Lowell Fiet, founder of Sargasso [3] magazine, retired professor, from Puerto Rico, in Vieques, a place that in Taino means small land, but that has in its history peaceful victories against the greatest war machine of the 20th century and the beginning of the 21st, teaches us part of his experience in the field of the mask theater workshop in the essay entitled “Workshop or theater?: who is the actor? and who is the viewer?” (2021) that he wrote in the call for the Open Channels publication plan this pandemic year.

While in some paradisiacal parts of the Caribbean an attempt is made to clean and provide solutions against the factors that favor the growth of sargassum such as sunlight, the passage of time, the 20 million tons of algae in the middle of the Atlantic; here, we attach Lowell Fiet’s essay to strengthen the unity and knowledge of the members of Open Channels.

(Side arrows for English / Flechas del costado para Español)

Lowell Fiet, fondateur de la revue Sargasses

Les algues sargasses ont été répertoriées comme une terrible menace pour le tourisme dans les Caraïbes. Parce qu’elles sont si présentes et si incontrôlables, elles ont été comparées à la pandémie de covid-19 qui perdure jusqu’à présent [1]. Cependant, dans ses circonstances intemporelles, la “mer des sargasses” [2] sont les fruits qui traversent la mer Atlantique, se nourrissant des pentes qui traversent et coulent de l’Amérique du Sud et de l’Afrique du Nord. Ils sont la preuve historique et naturelle de l’unité.

Lowell Fiet, fondateur du magazine Sargasso [3], professeur à la retraite, de Porto Rico, à Vieques, un endroit qui en Taino signifie petite terre, mais qui a dans son histoire des victoires pacifiques contre la plus grande machine de guerre du XXe siècle et du début du 21, nous apprend une partie de son expérience dans le domaine de l’atelier de théâtre de masques dans l’essai intitulé « Atelier ou théâtre ? : qui est l’acteur ? et qui est le spectateur ? (2021) qu’il a écrit dans l’appel pour le plan de publication des canaux ouverts cette année pandémique.

Alors que dans certaines parties paradisiaques des Caraïbes, on tente de nettoyer et d’apporter des solutions contre les facteurs qui favorisent la croissance des sargasses tels que la lumière du soleil, le passage du temps, les 20 millions de tonnes d’algues au milieu de l’Atlantique ; ici, nous joignons l’essai de Lowell Fiet pour renforcer l’unité et la connaissance des membres d’Open Channels.

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    The Canales Abiertos || Open Channels project is a powerful platform that brings attention to Caribbean popular theater and its diaspora. It’s inspiring to see how art, culture, and community come together through these events and performances. Lowell Fiet’s work and the spotlight on Sargasso reflect deep creativity and cultural expression. The team behind this project is doing a great job in preserving and sharing the rich heritage of the Caribbean. This website is a great space for learning and exploring more about theater, identity, and the voices that often go unheard. Keep up the amazing work!

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    The work of Lowell Fiet and the idea of “Sargasso” in Caribbean popular theater are the main topics of this blog. The essay “Sargasso,” which examines the distinctive cultural manifestations present in the Caribbean diaspora, is the focus of this post. It emphasizes how crucial it is to comprehend these creative contributions as well as the wider effects they have on the cultural and social identity of the area. The blog provides a forum for talking about Caribbean theater and its appeal on a global scale.

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    The blog highlights the impact of Sargassum algae, which has become a threat to tourism in the Caribbean, much like the COVID-19 pandemic. It also introduces Lowell Fiet, the founder of the Sargasso magazine, and his thoughts on the importance of unity and collective action. The post discusses his essay “¿Taller o teatro?: ¿quién es el actor? ¿Y quién el espectador?” and relates it to the challenges of environmental factors in the region. Overall, it’s a meaningful exploration of cultural, historical, and environmental concerns.

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    Este artículo ofrece una visión profunda y enriquecedora sobre la trayectoria de Lowell Fiet y su impacto en la literatura y cultura caribeña. Su dedicación como fundador de la revista Sargasso ha sido fundamental para promover el pensamiento crítico y la expresión artística en la región. Además, su enfoque en el teatro de máscaras como herramienta de reflexión y conexión comunitaria demuestra su compromiso con el arte como medio de transformación social. Es inspirador conocer su labor y legado, que continúa influyendo positivamente en la cultura del Caribe.

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    This blog highlights the collaboration of Lowell Fiet & Sargasso, part of the “Canales Abiertos” project, which focuses on the vibrant and diverse culture of the Caribbean and its diaspora. It emphasizes the intersection of art and theater within the Caribbean community, celebrating its dynamic contributions to global culture. The blog includes an event section, where visitors can find details about ongoing activities and performances, and archives where past events and materials are stored. By offering both English and Spanish content, it ensures a broad and inclusive audience for its updates and showcases the multicultural essence of Caribbean theater.

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